Bodoni (/ b ə ˈ d oʊ n i /, Italian:) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [1] [2] Bodoni's typefaces are classified as Didone or modern.

Bodoni Moda is a no-compromises Bodoni family, built for the digital age. This font family includes a full range of weights, italics, an extended character set, OpenType features, and...

Download Bodoni font. Bodoni font was designed by Casady & Greene and has been downloaded 1,290,674 times.

Jan 25, 2019 · Bodoni* is the first ever no-compromises Bodoni family, built for the digital age. Years in the making, this font family includes a whopping 56 font files, ensuring you will have the perfect Bodoni for every situation.

Giambattista Bodoni (born Feb. 16, 1740, Saluzzo, Piedmont [Italy]—died Nov. 29, 1813, Parma, French Empire [now in Italy]) was an Italian printer who designed several modern typefaces, one of which bears his name and is in common use today.

LTC Bodoni 175 is modern typeface originally created by Giambattista Bodoni in 1790, which served as the structural model for this faithful rendition by Sol Hess.

Giambattista Bodoni (/ b ə ˈ d oʊ n i /, Italian: [dʒambatˈtista boˈdoːni]; 16 February 1740 [1] – 30 November 1813) was an Italian typographer, type-designer, compositor, printer, and publisher in Parma.

During the 1790s Italian publisher and typographer Giambattista Bodoni designed a series of serif typefaces that came to carry his name. Over the years a number of foundries created new versions of the typeface.

Bodoni is a high-contrast serif typeface known for its elegant and sophisticated appearance. It features thin horizontal strokes, thick vertical strokes, and a crisp, geometric structure. Its sharp serifs and high contrast give it a refined and modern feel while maintaining a classic look.

The Bodoni font distinguishes itself through the strength of its characters and embodies the rational thinking of the Enlightenment. The new typefaces displaced the Old Face and Transitional styles and was the most popular typeface until the mid-19th century.